Her portrayal of Marvel’s Wanda Maximoff may have earned her worldwide recognition.

But Elizabeth Olsen has dipped her toes into the waters of modelling as she graced the cover of Vogue Hong Kong’s May edition.

The American, BAFTA-winning actress pulled off a series of stunning looks during the Los Angeles shoot, all of which feature in Gucci’s pre-fall range.

A further photo in the shoot – with Michael Schwartz behind the camera – showed the additional details to this look, as Elizabeth coordinated with stockings and suspenders and white, red buckled shoes.

An additional sartorial display included white, stripy graphic knitwear teamed with cycling shorts.

The Doctor Strange star quirkily had this ensemble rounded off with heels and pulled up socks, which were notable as she slung her legs over the arm of a sun lounger.

A white polo completed with a suede skirt and cowboy boots was a fourth look, while she rocked all-denim in a fifth.

Elizabeth looked sensational as she joined her co-star Benedict Cumberbatch at a photocall for Doctor Strange In The Multiverse Of Madness in Berlin last month.

The actors play the leading roles of Dr Stephen Strange and Wanda Maximoff in the Marvel film, which serves as a sequel to 2016’s Doctor Strange.

Elizabeth effortlessly turned heads in a light blue metallic top which she wore with a plunging vest top with a sequinned detail.

The movie is about the further adventures of Dr Stephen Strange and his research on the Time Stone. He also is amazed by the chaos that is caused by the Multiverse as he faces off with Dark Strange.

This fall the film underwent six weeks of reshoots, with cast and crew working for six days a week in Los Angeles.

One source, played down the reshoots, telling The Hollywood Reporter: ‘Even while in the middle of production, Marvel is scheduling you for more shooting.’

Another added: ‘We’ve had bigger reshoots on other MCU movies.’ However, some insiders believe the scale of the reshoots is significant, explaining: ‘They’re here until the end of the year. That’s like a whole other movie.’